Jules
The kind of record that makes everybody shut the hell up and listen. Very minimalistic yet incredibly good.
Favorite track: dBridge - Average Echo.
supported by 59 fans who also own “CNVX006 - Average Echo / Heritage”
Before I discuss the merits of "Auto State Of Mind", one of a sudden glut of Exit EPs from the usual suspects (dBridge, Kid Drama, et al) can I just make the point that what numerous producers refer to as "liquid drum & bass" should more accurately be referred to just as "drum" (or more accurately still "shite") since it flows more like tar than liquid and the bass is either completely absent or pitched so low in the mix that it's virtually inaudible. I have no objection to a genre's teeth being whitened, but I don't then expect them all to be pulled with a pair of pliers. None of this of course applies to Kid Drama whose two tracks, originally issued late last year, are of immaculate quality. Side A's percussive thwack, resonant bass and slightly maudlin melody are masterfully intertwined while the vocal led B-side hinges on a soaring synth line and satisfyingly resonant bass that I so hope was sampled by Kid creeping into next door's garden at 3am to sample it from their over-taut washing line. Liquid gold. Nic Brown
supported by 47 fans who also own “CNVX006 - Average Echo / Heritage”
Kid Drama has been a pivotal figure in the drum & bass scene for some time now, dropping both solo and collaborative EPs mainly on Exit records with welcome regularity. "Engram 1" is something new though, a single 15 minute track spontaneous assembled from a variety of sources which, although inescapably the work of a d&b master, incorporates elements of ambient and house, expertly cocooned in a shimmer of twinkling synths. It's a captivating listen and hopefully not the first time our Kid will try his hand at something different. Nic Brown